One of my favourite parts of the eternally intertwined Drakengard and Nier franchises is how each game in both series has a huge variety of endings. There’s usually around four or five different endings to each game, each requiring different conditions to be met before they can be achieved. These endings also tend to really … Continue reading The joys and pitfalls of new game-plus content.
Or, why let prejudice and slaughter get in the way of a good joke? Tone is kind of a curious thing in video games, when you stop to think about it. The ‘tone’ of something is (to put it in its simplest form) just how something is presented, with the most common two extremes being … Continue reading An exploration of tone in Drakengard and Nier.